dub trio is back with their fourth and most powerful album to date Ð iv Ð an overwhelming blend of sounds, styles and ideas that come out swinging, and hit harder than ever. can metal coexist with dubs bass heavy riddims? dub trios newest album proves that not only can such incongruities coexist, but that in the right hands they flourish! with iv the band succeeds dramatically at emphasizing the theories, emotions, sounds, and concepts of their current musical exploration. iv finds the members playing multiple instruments, tweaking, turning & torturing knobs, cutting and chopping the audio itself, and shaping the compositions to create their own unique interpretation of dub as an art form.

ex-harry pussy guitarist bill orcutt s 2009 side a new way to pay old debts was an instant classic for those attuned to his brand of stomach-scrapingly raw, hoary blues improvisation. few could have expected the album to be subsequently issued on cd by editions mego, but the more you thought about it the more it made sense - though all-acoustic, orcutt s music is every bit as extreme, violent and threshold-testing as that of, say, florian hecker, russell haswell or mika vainio. as if to prove it wasn t a token gesture towards eclecticism, mego boss peter rehberg has signed a brand new album from orcutt, and what an album it is. for the most part it s in that visceral, coruscating style that he s best known for, all finger-bleeding fretboard assaults that manage to sound at once virtuoso and completely out-of-control, reaching a psychotic climax on the visible bosom: but there are some more reflective passages too, hell, the title track might even be the most chilled thing he s ever recorded. the album was cut at d+m in berlin, which really teases every last drop of blood, sweat and tears out of the recording, which took place at orcutt s home studio in san francisco in spring of 2011. brutal, bludgeoning but incurably romantic, how the thing sings demands your steadfast attention. mind-blowing.

from their pioneering work as part of the basement boys, remixing and producing artists from michael jackson to ultra nate, through to their success as solo artists, dj spen and karizma are the undisputed leaders of the baltimore house movement. twenty of their very finest productions are presented here, including three brand new & exclusive remixes from these charismatic, unpredictable and completely unique masters of their craft.

in watch me dancetoddla t has created a dubwise, street-soul masterpiece, and to ensure it was everything toddla envisaged it could be he s carefully selected an impressive line up of friends, peers and musical icons to guest vocal, co-produce, remix, co-write with him on the album. names including previous collaborator roots manuva, fellow dj, producer and remixer skream, ms dynamite, ross orton, wayne marshall, timberlee, roisin murphy and shola ama.

slamming cd with 20 hardstyle pounder

2087 is inspired by the science fiction film -cyborg: 2087- (1966) by the writer arthur c. pierce, directed by franklin adreon. plot modification and soundtrack by jeff mills. it is the year 2087. the world had become a place where thoughts were not only monitored and restricted, but also, muted or reconstructed to favor the current rulers of earth and its inhabitants. the once exceptional human was merely reduced to a byproduct in the multi-dimensional industry of planetary hypostatisification. a boundless depository of cosmic energy controlled by an unknown force that had become too powerful to even reveal itself. a small and resourceful group of young scientists, engineers and devoted supporters create and send back through time a cyborg. a low technological invention consisting of human fibers and machine. out of desperation and precise planning, he is sent back to the year 1966 to prevent earths leading mathematician from thinking about the numeric breakthrough that would eventually lead to the mass thought control and human manipulation of the future. the cyborg (garth) soon discovers he is not alone in his mission, giving grave suspicion to possible traitors or spy within the young group of his creators. garth succeeds in finding and assassinating his target, but as the result, he alters the future and becomes the only remaining symbol of a time that never existed. a man out of time.

you can forgive a band who set out to create something even just a little bit different and get it horrendously wrong, but its tough to have sympathy for a band who shy away from the challenge altogether. such was the case with autokratz on their first album, animal, which, apart from a passable opening track, consisted of a series of bland electronic pastiches Ð dance music that conversely made the listener want to sit and wait it out. that didnt stop the hype building around the duo, though, thanks in no small part to the fact that the album was released through in-vogue french label kitsunŽ music. the confusing positivity surrounding the lp suggesting, perhaps, that style overcomes substance once a record company has received the hipster seal of approval.this time around, however, kitsune has stepped aside, with autokratz releasing the follow-up on their own label, bad life. but has the sense of responsibility that surely comes with this step made them re-evaluate their direction? has it inspired them to inject a much-needed shot of creativity into their work? not a hope. if anything, autokratz descend even further into mediocrity on self help for beginners. once again, their best tunes are loaded towards the front of the album, starting with the lead single, -opposite of love. its far from outstanding, helped in no small part by the terribly contrived lyrics, but does possess a catchy synth melody Ð enough to earn it a place on club playlists, at least. its a similar story with -becoming the wraith, which has peter hook on hand to deliver an overtly new order-esque bassline. beyond that, however, the quality dips dramatically. tracks like -the seventh seal and -r.i.s.e. are typical of the selection on offer, underwhelmingly vapid, derivative tunes which show up a disappointing, but not totally unexpected, scarcity of guile on the part of their creators.where autokratz do excel is as producers Ð a quality evident not only in their own work, but also in their remixes for other artists. unfortunately, this only serves to exacerbate their deficiencies on the other side of the control room desk. ultimately it may mean that, having failed to address the shortcomings of their debut, autokratz will be fated to be filed under -also rans in the annals of music history. thats assuming, of course, that someone out there will actually remember them at all.

heidis-run jackathon parties have been hitting cities internationally since late 2009, now with residencies in london, berlin, paris, miami, manchester and amsterdam Ð jackd house is truly taking a fair slice of the scene. the compilation isnt an add on, a supplement to the nights: its deep grounded sound and thoughtfully crafted line-up backs up the global club-motion that is emerging within heidis control.mix favourites step up as the deep and bassy foundings of deetrons the juggler, funk-told incoming bitch by soul clap and move-strong whiff it yawl from jamie jones. although the first mix this year to really engage in houses history, its freedom status Ð it escapes cliche, avoiding big cheez for serious deep, electronics: heidi keeps the listing real. the especially-recorded vocal drops of house-legend derrick carter also make the record what it is, his infamous chicago-born vox gives residence to what heidis trying to do: resurrect the old school.dancefloor destruction is on pause, the club is still a playground, still moving hard theres just more room to play now, as steve bugs last track titles: jacks back.

a runaway journey , express beats and global groove, 1st cd = mixed, 2nd cd = unmixed

rinse 14 mixed by youngsta

von heerscharen an fans rund um die welt bereits ungeduldig herbeigesehnt, fŸgt armin van buuren der geschichte seiner erfolgreichen >a state of trance< mix-compilation serie auch dieses jahr einen neuen meilenstein hinzu. auf die ohren gibt es auf der >a state of trance 2011< in guter tradition wieder eine fulminante auswahl der besten und neusten tracks, die die trance- und progressive-szene zu bieten hat, verfeinert mit einer fŸlle an unveršffentlichten tunes und exklusiven remixen. auf zwei cds, prall gefŸllt mit ohrwŸrmern und floorstŸrmern von hei§en newcomern und bekannten grš§en des internationalen dance-firmaments, liefert der welweite trance top dj erneut einen unwiderstehlichen mix fŸr alle anhŠnger hochwertiger trance-sounds

featuring taio cruz, tom novy, syke n sugarstarr, yves larock, bingo players, milk & sugar .. lets the party get started !!

20 brand new tracks from flying lotus, siriusmo, skream, mr oizo, cassius....+ download card to get the track by track album! incl. free download code!

a brand new selection of house,dubstep and drum & bass! incl. skream, afrojack, nero, eric prydz--

1st cd unmixed , 2nd cd mixed

slamming luke solomon cd with phunky chicago influenced definition of house

dj roc shows off his brilliant high-speed sparse manipulations of rhythm, space and sound as in the dancehall.then there are tracks that mix smooth soul with double-speed like i cant control the feeling, to tracks which have more of a classic juke feel like get buck jones and dj roc symphony. the album is full of brilliant production and original ideas.

tresor klassiker erfahren den re-release: matthew herberts kult-mixalbum aus dem jahr 2000 mit exclusives von errorsmith, dbx & matthew herbert himself!

brimming with fall-esque attitude, guided by voices pop-sensibilities, and drive like jehu / fugazi / hŸsker dŸ style riffing, warm widow channel , the spirit of their influences into one totally kick-ass, brutally lo-fi rock sound - meticulously mastered by bob weston (shellac, mission of burma) at chicago mastering service - warm widow is the project of ex-tsuji giri frontman martin greenwood, and features zak hane of stranger son of wb on bass and lianne steinberg of breaking colts on drums ... info: manchester s warm widow never really intended to make this album Ð well, not in the way that widower presents itself anyway. this was supposed to be the scratchy blueprint for the actual warm widow album, recorded, you know, like proper albums are recorded: in a recording studio perhaps, with an array of appropriate microphones, with an actual producer (or certainly an engineer), and time to allow the band the breathing space to nail it , with additional options to try multiple takes and overdubs - in general, recording with a certain amount of control and ease.

sit back & relax as dj mfr takes you on another west coast excursion, containing music from some of the most respected west coast record labels and producers such as miguel migs, jask, jay j, vincent kwok and dj mfr himself just to name a few, all flawlessly blended together in dj mfr s smooth mixing style.

exclusive tracks und remixe von peter kruder, henrik schwarz, christian prommer, psychonauts, carl craig, bryan ferry, dj linus, snuff crew, makossa and megablast, diskokaine, axel boman, tony lionni, kikumoto allstars und natŸrlich hell!

mixed and compiled by sander van doorn - trance energy mix cd

various artist melodic deep space electro & electronica album!

incl.cascada, armnin van buuren, agnes, r.i.o., basic element, ron carroll, sunclub, sono, michel cleis and many more!

cecille records and sonido have now released >from frankfurt to mannheim< a compilation paying tribute to the sound of the ffm/ma connection. incl. nick curly, johnn d, markus fix and many more

back in 2000 the herbaliser released their acclaimed doublevinyl album session 1. almost a decade later, they now want to capture this latest live chapter on record. session 2 spans more than a ten years of herbaliser live favourites, from the underground beats and breaks of their 1997 album blow your headphones to the more lush, soulful grooves of same as it never was. it is another herbaliser classic, the sound of an ever-evolving band at the peak of their powers. forget the old hollywood rule: sometimes a sequel can be just as good as the original.

incl. musik von fehlfarben, the buzzcocks, talk talk,the stranglers und vielen mehr

the new album of kitsune superstars >the cazals<.featuring the singles >somebody,somewhere< and >life is boring<

steve bug s audiomatique is back with the second label abulm, seamlessly blended by n.y.c.Õs arch tech selector adultnapper. features new, exclusive tracks and mixes from robert babicz, the viewers, martin eyerer & stephan hinz, martinez, joel mull, mikael jonasson and adultnapper plus highlights from trentem¿ller, gaiser, gui boratto, pole, alexi delano.